“They call it a curse. I call it a lie someone has been protecting for twenty-two years — and I am the price.” When Amara Adeyemi comes home to Ijesun to bury her father, she braces herself for grief, not for the truth that arrives with it: every firstborn daughter in her bloodline has died before her twenty-third birthday for four generations straight. Hers is next. She tells herself it is superstition, the kind of story villages tell to explain bad luck. Then a woman in white starts waiting for her by the river at dusk. Then someone knocks three times on her bedroom door, every night, at the same hour. Then she finds a photograph of herself — taken before she was born. Kelechi, the chief's only son, is the one person in Ijesun who looks at her like she isn't already a ghost. He is also the one person she has been warned, by everyone who loves her, never to trust. As they dig into her family's past together, Amara falls for him one careful inch at a time — even as the truth around her grows teeth. Because the deeper they go, the clearer it becomes: the curse was never written by her family. It was written by his. Some secrets were never meant to survive the truth. Neither, everyone in Ijesun believed, was Amara.
“They call it a curse. I call it a lie someone has been protecting for twenty-two years — and I am the price.” When Amara Adeyemi comes home to Ijesun to bury her father, she braces herself for grief, not for the truth that arrives with it: every firstborn daughter in her bloodline has died before her twenty-third birthday for four generations straight. Hers is next. She tells herself it is superstition, the kind of story villages tell to explain bad luck. Then a woman in white starts waiting for her by the river at dusk. Then someone knocks three times on her bedroom door, every night, at the same hour. Then she finds a photograph of herself — taken before she was born. Kelechi, the chief's only son, is the one person in Ijesun who looks at her like she isn't already a ghost. He is also the one person she has been warned, by everyone who loves her, never to trust. As they dig into her family's past together, Amara falls for him one careful inch at a time — even as the truth around her grows teeth. Because the deeper they go, the clearer it becomes: the curse was never written by her family. It was written by his. Some secrets were never meant to survive the truth. Neither, everyone in Ijesun believed, was Amara.
“They call it a curse. I call it a lie someone has been protecting for twenty-two years — and I am the price.” When Amara Adeyemi comes home to Ijesun to bury her father, she braces herself for grief, not for the truth that arrives with it: every firstborn daughter in her bloodline has died before her twenty-third birthday for four generations straight. Hers is next. She tells herself it is superstition, the kind of story villages tell to explain bad luck. Then a woman in white starts waiting for her by the river at dusk. Then someone knocks three times on her bedroom door, every night, at the same hour. Then she finds a photograph of herself — taken before she was born. Kelechi, the chief's only son, is the one person in Ijesun who looks at her like she isn't already a ghost. He is also the one person she has been warned, by everyone who loves her, never to trust. As they dig into her family's past together, Amara falls for him one careful inch at a time — even as the truth around her grows teeth. Because the deeper they go, the clearer it becomes: the curse was never written by her family. It was written by his. Some secrets were never meant to survive the truth. Neither, everyone in Ijesun believed, was Amara.
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I am a passionate fiction writer with a strong interest in romance and drama, especially stories set in intense and emotional worlds like the mafia genre. My writing focuses on complex characters, power dynamics, and deep emotional connections that keep readers engaged. I enjoy creating stories that explore themes of love, survival, and identity, often placing strong female characters in challenging situations where they must fight for control over their lives.
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